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Film/video editor: Job description and activities

Job description

A film or video editor is responsible for assembling the final product as a sequence consisting of shots from the raw camera footage, dialogue, sound effects and graphics. This is a key role in the post-production process and the editor's skill determines the quality and delivery of the final product. Digital technology is increasingly the key medium for editing. Based in the post-production editing suite, the editor works closely with the director to meet his or her requirements. The majority of film/video editors are employed on a freelance basis, working on short-term contracts for post-production studios, television companies and corporate employers.

Typical work activities

Digital technology, specialist computer software and high-quality digitisation of sound and pictures have effectively replaced the traditional manual method of cutting film. Depending on the product, an editor may or may not be overseen by the director and may be very involved in creating the narrative, structure, and tone of the programme. In some cases - mainly involving fiction films - the editor may be there merely to operate the machine, while in other situations, they may have creative freedom.

The process of work for an editor involves:

• receiving a brief, and maybe an outline of footage and/or a shot list, script, or screenplay;
• assembling all raw footage, with camera shots either recorded or transferred onto video tape in preparation for inputting into the computer;
• inputting uncut rushes and sound, and synchronising and storing them into files on the computer;
• digitally cutting the files to determine the sequence of the film and determining what is usable;
• creating a 'rough cut' of the programme/film and determining the exact cutting for the next and final stages;
• re-ordering and tweaking the content to ensure the logical sequencing and smooth running of the film/video.

Additional work activities may include:

• overseeing the quality and progress of audio and vision engineering and editing;
• consulting with the director, producer and/or client throughout the post-production process;
• familiarising oneself with the style of specific directors;
• experimenting with styles and techniques including the design of graphic elements;
• selecting the most effective shot of a scene in terms of drama, story relevance or continuity;
• writing voiceover/commentary;
• suggesting or selecting music;
• if freelancing: negotiating rates of pay and conditions, managing business affairs, and/or liaising with an agent.

The final stage of the process requires the skills of the online editor, who is often employed in a specialist post-production facility. Responsible for delivering the final product to the required specifications, the online editor's role is focused on technical aspects such as correcting faulty footage, grading/colouring, and adding special effects to finish the film or programme. In lower budget productions one editor may perform both the offline and online editing.

AGCAS

Written by Megan Peinell, AGCAS

Last updated:

August 2008

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